Best? Andrew Marvel's "To His Coy Mistress." Not likely to turn up on youtube, he's been dead for centuries. Keats' "Ode On A Grecian Urn" is a close second.
Best performances of poems? I was in a little folk music circle, and a woman who'd previously demonstrated no particular talent announce she'd set Lord Byron's "So We'll Go No More A'Rovin'" to music. It was incredible. I memorized the poem and her melody in that one hearing.
On the other end of the spectrum, Frank Hayes (hilarious songwriter, columnist for Computerworld), once sang the opening stanzas of "Howl" to the tune of "Little Bunny Foo-Foo." Just astoundingly wrong.
Pablo Neruda, Gloria Anzaldua, Emily Dickenson, a guy I used to know named Peter
I'm crap with poetry on nearly every level. Most of it I don't particularly care for or I ignore it as poetry and enjoy it for the stories/visuals (e.g. Shakespeare, Edger A Poe). Because I feel very }:/ about most poetry I've ended up avoiding it even though I'm sure there's stuff out there that even a plebeian like me would like.
I don't know what it means that overwhelmingly I appreciate verse in Spanish over English. I like the elasticity of meaning, maybe.
@ Birds _Use_Stars - Burroughs is Hip, not Beat. there's a difference. I used to have a collection of essays about Burroughs that made this point but I sold it. Burroughs never thought of himself as Beat but he just got conflated with them.
I used to be big into Bukowski but largely grew out of him. "Play The Piano Drunk" is still one of my favorite books of his, though.
A.A. Milne's "Now I Am Six" is one of my favorite poems of all time.
I've published some poetry here and there (mainly in a magazine called Taddle Creek - they have a website and everything. If you go to taddlecreekmag.com, you can find it.) Most of it's doggerel but I'm fairly proud of it, I guess.
"I sailed away in a paper ship, Away on an unknown sea; And all the fishes were hollow, my dear, And all of them swam at me." THE PAPER SHIP and all the rest of The Anyhow Stories by Lucy Lane
Yesterday upon the stair I met a man who wasn’t there He wasn’t there again today Oh, how I wish he’d go away When I came home last night at three The man was waiting there for me But when I looked around the hall I couldn’t see him there at all! Go away, go away, don’t you come back any more! Go away, go away, and please don’t slam the door Last night I saw upon the stair A little man who wasn’t there He wasn’t there again today Oh, how I wish he’d go away "Antigonish" (1899) William Hughes Mearns
If you were exchanged in the cradle and your real mother died without ever telling the story then no one knows your name, and somewhere in the world your father is lost and needs you but you are far away
He can never find how true you are, how ready. when the great wind comes and the robberies of the rain you stand on the corner shivering. The people who go by-- you wonder at their calm.
They miss the whisper that runs any day in your mind, "Who are you really, wanderer?" and the answer you have to give no matter how dark and cold the world around you is: "Maybe I'm a king."
This is the story I’ve tried to tell. Guy exists. Father mother sister brother. Oh pretty stars, oh bastard moon I see you watching me. The trembling years leading to sex, the trembling sex. Death as garnish. Death as male lead, female lead, death as a cast of thousands. God in, on, as, with, to, around, because who knows because. All the while feeling air’s a quilt of tongues, that spaces between words are more articulate than words. It’s not like you’d hope, that anyone can make sense. Look around you, let your ears breathe deep — almost no one does. Have another drink. When they throw us out there’s a place down the street that never closes, after that we’ll climb a fire escape and praise the genealogy of light. The Big Bang sounds like what it was, the fucking that got everything under way. That love was there from the start is all I’ve been trying to say.
Reminiscing in the drizzle of Portland, I notice the ring that's landed on your finger, a massive insect of glitter, a chandelier shining at the end
of a long tunnel. Thirteen years ago, you hid the hurt in your voice under a blanket and said there's two kinds of women—those you write poems about
and those you don't. It's true. I never brought you a bouquet of sonnets, or served you haiku in bed. My idea of courtship was tapping Jane's Addiction
lyrics in Morse code on your window at three A.M., whiskey doing push-ups on my breath. But I worked within the confines of my character, cast
as the bad boy in your life, the Magellan of your dark side. We don't have a past so much as a bunch of electricity and liquor, power
never put to good use. What we had together makes it sound like a virus, as if we caught one another like colds, and desire was merely
a symptom that could be treated with soup and lots of sex. Gliding beside you now, I feel like the Benjamin Franklin of monogamy,
as if I invented it, but I'm still not immune to your waterfall scent, still haven't developed antibodies for your smile. I don't know how long
regret existed before humans stuck a word on it. I don't know how many paper towels it would take to wipe up the Pacific Ocean, or why the light
of a candle being blown out travels faster than the luminescence of one that's just been lit, but I do know that all our huffing and puffing
into each other's ears—as if the brain was a trick birthday candle—didn't make the silence any easier to navigate. I'm sorry all the kisses
I scrawled on your neck were written in disappearing ink. Sometimes I thought of you so hard one of your legs would pop out
of my ear hole, and when I was sleeping, you'd press your face against the porthole of my submarine. I'm sorry this poem has taken thirteen years
to reach you. I wish that just once, instead of skidding off the shoulder blade's precipice and joyriding over flesh, we'd put our hands away like chocolate
to be saved for later, and deciphered the calligraphy of each other's eyelashes, translated a paragraph from the volumes of what couldn't be said.
@dorkmuffin - through all the really great turns of words in that one, this simple bit is what really hit me:
I'm sorry this poem has taken thirteen years
to reach you.
Very nice!
Here I'm posting not the whole thing, which is just really long, but maybe the best part, and it stands on it's own as a fragment:
Morning Song From "Senlin" - Conrad Aiken
IT is morning, Senlin says, and in the morning When the light drips through the shutters like the dew, I arise, I face the sunrise, And do the things my fathers learned to do. Stars in the purple dusk above the rooftops Pale in a saffron mist and seem to die, And I myself on a swiftly tilting planet Stand before a glass and tie my tie.
Vine-leaves tap my window, Dew-drops sing to the garden stones, The robin chirps in the chinaberry tree Repeating three clear tones.
It is morning. I stand by the mirror And tie my tie once more. While waves far off in a pale rose twilight Crash on a white sand shore. I stand by a mirror and comb my hair: How small and white my face!— The green earth tilts through a sphere of air And bathes in a flame of space. There are houses hanging above the stars And stars hung under a sea... And a sun far off in a shell of silence Dapples my walls for me...
___
Read those 8 lines and don't get the neckhair prickle, I dare you!
Having failed to find an on-line copy of his 'Selected Poems' (2009), which I've currently lost in the chaos of my house, here's one of the most well known poems by Robert Bringhurst. Not the one I wanted to share, but still:
These Poems, She Said
BY ROBERT BRINGHURST
These poems, these poems, these poems, she said, are poems with no love in them. These are the poems of a man who would leave his wife and child because they made noise in his study. These are the poems of a man who would murder his mother to claim the inheritance. These are the poems of a man like Plato, she said, meaning something I did not comprehend but which nevertheless offended me. These are the poems of a man who would rather sleep with himself than with women, she said. These are the poems of a man with eyes like a drawknife, with hands like a pickpocket’s hands, woven of water and logic and hunger, with no strand of love in them. These poems are as heartless as birdsong, as unmeant as elm leaves, which if they love love only the wide blue sky and the air and the idea of elm leaves. Self-love is an ending, she said, and not a beginning. Love means love of the thing sung, not of the song or the singing. These poems, she said.... You are, he said, beautiful. That is not love, she said rightly.
Another of my favorites, from Edgar Lee Masters' "Spoon River Anthology"
I was the first fruits of the battle of Missionary Ridge. When I felt the bullet enter my heart I wished I had staid at home and gone to jail For stealing the hogs of Curl Trenary, Instead of running away and joining the army, Rather a thousand times the county jail Than to lie under this marble figure with wings, And this granite pedestal Bearing the words 'Pro Patria.' What do they mean, anyway?
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