Being a foreign devil but under the anvil of Anglo Saxon cultural imperialism, the other day I was wondering how much I knew or recognized poetry in English compared to poetry in Finnish.
Then I started wondering, what would be the top-10 of the most important poems in English. I mean, I know my Poe embarrassingly by heart, but outside of that...?
I got a good list from my fiancé Susimur, who's only not a bilingual English speaker but also a student of English philology, but: how about the Whitechapel? The definition of "important" is of course fluid, so let's not argue about that. Let's hear your top-10.
There's a lot, but I'd like to propose "HOWL" by Allen Ginsberg. The most famous excerpt:
"I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night, who poverty and tatters and hollow-eyed high sat up smoking in the supernatural darkness of cold-water flats floating across the tops of cities contemplating jazz"
Rise like Lions after slumber In unvanquishable number, Shake your chains to earth like dew Which in sleep had fallen on you- Ye are many — they are few
Alligator pie, alligator pie, If I don't get some I think I'm gonna die. Give away the green grass, give away the sky, But don't give away my alligator pie.
Alligator stew, alligator stew, If I don't get some I don't know what I'll do. Give away my furry hat, give away my shoe, But don't give away my alligator stew.
Alligator soup, alligator soup, If I don't get some I think I'm gonna droop. Give away my hockey stick, give away my hoop, But don't give away my alligator soup.
That's one hell of a big ask, but as an Australian I'm pretty much legally bound to invoke The Man from Snowy River by Banjo Patterson - regardless of any actual merit or relevance to wider English literature...
And down by Kosciusko, where the pine-clad ridges raise Their torn and rugged battlements on high, Where the air is clear as crystal, and the white stars fairly blaze At midnight in the cold and frosty sky, And where around the Overflow the reedbeds sweep and sway To the breezes, and the rolling plains are wide, The man from Snowy River is a household word to-day, And the stockmen tell the story of his ride,
A question with no easy answer. I would normal go with Annabel Lee since your well versed this is a Lord Byron poem that always stuck with me.
PROMETHEUS
TITAN! to whose immortal eyes The sufferings of mortality, Seen in their sad reality, Were not as things that gods despise; What was thy pity's recompense? A silent suffering, and intense; The rock, the vulture, and the chain, All that the proud can feel of pain, The agony they do not show, The suffocating sense of woe, Which speaks but in its loneliness, And then is jealous lest the sky Should have a listener, nor will sigh Until its voice is echoless.
Titan! to thee the strife was given Between the suffering and the will, Which torture where they cannot kill; And the inexorable Heaven, And the deaf tyranny of Fate, The ruling principle of Hate, Which for its pleasure doth create The things it may annihilate, Refus'd thee even the boon to die: The wretched gift Eternity Was thine--and thou hast borne it well. All that the Thunderer wrung from thee Was but the menace which flung back On him the torments of thy rack; The fate thou didst so well foresee, But would not to appease him tell; And in thy Silence was his Sentence, And in his Soul a vain repentance, And evil dread so ill dissembled, That in his hand the lightnings trembled.
Thy Godlike crime was to be kind, To render with thy precepts less The sum of human wretchedness, And strengthen Man with his own mind; But baffled as thou wert from high, Still in thy patient energy, In the endurance, and repulse Of thine impenetrable Spirit, Which Earth and Heaven could not convulse, A mighty lesson we inherit: Thou art a symbol and a sign To Mortals of their fate and force; Like thee, Man is in part divine, A troubled stream from a pure source; And Man in portions can foresee His own funereal destiny; His wretchedness, and his resistance, And his sad unallied existence: To which his Spirit may oppose Itself--and equal to all woes, And a firm will, and a deep sense, Which even in torture can descry Its own concenter'd recompense, Triumphant where it dares defy, And making Death a Victory.
The Wanderer (pardon the shitty translation. There's a better one in the norton anthology I have somewhere). .Yes. I went with Old English, and a super old poem. >:)
@Vornaskotti Well, Poe's not such a great poet really. His short fiction and essays are much better.
We could start with some of the great poets and choose one of their representative works...or go with what's most commonly anthologized.
Top ten would need to include Shakespeare, Blake, Dickinson, Yeats, Pound, & Eliot, for starters. My choices will certainly reflect my personal bias. I know more about modern American poets and I prefer the writers of shorter lyrical poems to the long-winded blow-hards...I'm looking at you, Whitman. ;-) I do sincerely believe that Emily Dickinson is one of the greatest poets in English after Shakespeare and Blake, and certainly the greatest American poet to have ever lived.
Commonly anthologized examples might be (admittedly heavy on the American Modernists): 1. Shakespeare's Sonnet 129 2. Milton's "Paradise Lost" 3. Blake's "Tyger, Tyger!" 4. Yeats' "Second Coming" 5. Dickinson's "Because I could not stop for Death —" 6. Shelley's "Ozymandias" 7. T.S. Eliot's "Waste Land" 8. Wallace Steven's "The Emperor of Ice Cream" (not my favorite of his, but frequently anthologized) 9. Ezra Pound's Canto I 10. Robert Frost's "The Road Not Taken"
Anyway, that's just me shooting from the hip a bit. Leaving out a ton of other great stuff which I could natter on about. My list of personal faves would look different. Many of my favorite poets didn't even write in English though (Paul Celan, Paul Valéry.) [Full disclosure: my first undergrad degree was in English/Creative Writing with a Poetry focus.]
T.S.Eliot's The Hollow Men most noted of course for it's final stanza...
This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper.
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One of the first books of poetry I ever owned was Ted Hughes' The Crow. I sat and read those poems for years whenever I got stoned..
A Childish Prank
Man's and woman's bodies lay without souls, Dully gaping, foolishly staring, inert On the flowers of Eden. God pondered.
The problem was so great, it dragged him asleep.
Crow laughed. He bit the Worm, God's only son, Into two writhing halves.
He stuffed into man the tail half With the wounded end hanging out.
He stuffed the head half headfirst into woman And it crept in deeper and up To peer out through her eyes Calling it's tail-half to join up quickly, quickly Because O it was painful.
Man awoke being dragged across the grass. Woman awoke to see him coming. Neither knew what had happened.
God went on sleeping.
Crow went on laughing.
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Spike Milligan - There are holes in the Sky
There are holes in the sky Where the rain gets in But they're ever so small That's why the rain is thin.
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and finally John Cooper Clarke - Haiku
To-con-vey one's mood In sev-en-teen syll-able-s Is ve-ry dif-fic
I would have to second "Howl" honestly. I wish I could have come up with something, but as soon as I read the topic Howl started playing in my head. Of course, so did "There once was a man from Nantucket..." but I should be smacked for that.
I'd say with Blake, do the entire Songs of Innocence and Experience (which if memory serves is where The Tyger comes from) or the Marriage of Heaven and Hell (my personal fave).
And while it's definitely not "Most Important" the poems of Sherman Alexi are amazing and worth checking out. I'd say he's probably the best living poet I'm aware of (or he was 10 years ago. I haven't really been keeping up to date).
Otherwise, I agree with most of the statements above (although I can't stomach the beats, but I know that's a personal issue).
I'm going to go all mainstream here, but I like Desiderata
Go placidly amid the noise and the haste, and remember what peace there may be in silence.
As far as possible, without surrender, be on good terms with all persons. Speak your truth quietly and clearly; and listen to others, even to the dull and the ignorant; they too have their story. Avoid loud and aggressive persons; they are vexatious to the spirit.
If you compare yourself with others, you may become vain or bitter, for always there will be greater and lesser persons than yourself. Enjoy your achievements as well as your plans. Keep interested in your own career, however humble; it is a real possession in the changing fortunes of time.
Exercise caution in your business affairs, for the world is full of trickery. But let this not blind you to what virtue there is; many persons strive for high ideals, and everywhere life is full of heroism. Be yourself. Especially do not feign affection. Neither be cynical about love, for in the face of all aridity and disenchantment, it is as perennial as the grass.
Take kindly the counsel of the years, gracefully surrendering the things of youth. Nurture strength of spirit to shield you in sudden misfortune. But do not distress yourself with dark imaginings. Many fears are born of fatigue and loneliness.
Beyond a wholesome discipline, be gentle with yourself. You are a child of the universe no less than the trees and the stars; you have a right to be here. And whether or not it is clear to you, no doubt the universe is unfolding as it should.
Therefore be at peace with God, whatever you conceive Him to be. And whatever your labors and aspirations, in the noisy confusion of life, keep peace in your soul.
With all its sham, drudgery, and broken dreams, it is still a beautiful world. Be cheerful. Strive to be happy.
Many good choices. I'd add another T.S.Eliot poem to the list - Sweeney Erect:
And the trees about me, Let them be dry and leafless; let the rocks Groan with continual surges; and behind me Make all a desolation. Look, look, wenches!
Paint me a cavernous waste shore Cast in the unstilted Cyclades, Paint me the bold anfractuous rocks Faced by the snarled and yelping seas.
Display me Aeolus above Reviewing the insurgent gales Which tangle Ariadne's hair And swell with haste the perjured sails.
Morning stirs the feet and hands (Nausicaa and Polypheme), Gesture of orang-outang Rises from the sheets in steam.
This withered root of knots of hair Slitted below and gashed with eyes, This oval O cropped out with teeth: The sickle motion from the thighs
Jack-knifes upward at the knees Then straightens out from heel to hip Pushing the framework of the bed And clawing at the pillow slip.
Sweeney addressed full length to shave Broadbottomed, pink from nape to base, Knows the female temperament And wipes the suds around his face.
(The lengthened shadow of a man Is history, said Emerson Who had not seen the silhouette Of Sweeney straddled in the sun).
Tests the razor on his leg Waiting until the shriek subsides. The epileptic on the bed Curves backward, clutching at her sides.
The ladies of the corridor Find themselves involved, disgraced, Call witness to their principles And deprecate the lack of taste
Observing that hysteria Might easily be misunderstood; Mrs. Turner intimates It does the house no sort of good.
But Doris, towelled from the bath, Enters padding on broad feet, Bringing sal volatile And a glass of brandy neat.
If you want to go way back into Anglo-Saxon there's The Seafarer which like most Anglo-Saxon poetry can be appreciated with no knowledge of the language because it relies on alliteration and rhythm rather than rhyme.
Personal favourites of mine are Kubla Khan and The Rime of the Ancient Mariner, both by Samuel Taylor Coleridge. The former is famous for having been composed in a drug laced stupor and remaining forever unfinished after some bastard from Porlock interrupted Coleridge while he was writing it down. The later is a batshit insane account of the sea voyage from hell including demons, angels, manifestations of death, zombies, an albatross and a guy that you seriously don't want turning up to your wedding.
Macaulay's Lays of Ancient Rome were wildly popular in the Victorian Era, and were an attempt to reconstruct (in English) the kind of poems the Romans wrote before they got all cultured. Horatius is probably the best known today. Tennyson's The Charge of the Light Brigade is a fine example of the Victorian worship of idiotic adherence to orders in the face of all common sense, as is Hemans' Casabianca - better known as "The Boy Stood on the Burning Deck".
William Topaz McGonagall deserves a mention for being perhaps the best bad poet in English. For instance The Tay Bridge Disaster.
The First World War Poets are highly significant because they were about the first to buck the trend of celebrating war as glorious and manly. Fantastic examples include Benjamin Peret's Little Song for the Maimed and Wilfred Owen's Dulce et Decorum est
In the desert I saw a creature, naked, bestial, Who, squatting upon the ground, Held his heart in his hands, And ate of it.
I said, "Is it good, friend?" "It is bitter - bitter," he answered; "But I like it Because it is bitter, And because it is my heart." - "The Heart", Stephen Crane
I met a traveller from an antique land Who said: "Two vast and trunkless legs of stone Stand in the desert. Near them on the sand, Half sunk, a shattered visage lies, whose frown And wrinkled lip and sneer of cold command Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things, The hand that mocked them and the heart that fed. And on the pedestal these words appear: `My name is Ozymandias, King of Kings: Look on my works, ye mighty, and despair!' Nothing beside remains. Round the decay Of that colossal wreck, boundless and bare, The lone and level sands stretch far away". - "Ozymandias", Percy Bysshe Shelley
oh man - can't believe i forgot Dulce Et Decorum Est (good call Purple Wyrm) - one of the most devastating poems I've ever read. was first introduced to Wilfred Owen in a tiny little theatre in North Wales. was the first play i'd ever gone to and it was a one man show (called The Pity of War) based on Owens life and works. it was amazing!