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In my new series of paintings, "Islamic Erotica," I have portrayed Muslim women in a style that references American pin-up art, modern advertising, and photographs of tribal women in National Geographic-type publications.
When these seemingly contradictory traditions are combined, we can envision an absurd future where the ever-expanding arm of globalization and the growing influence of American-style democracy in the Middle East will continue to manifest into stranger and more outlandish hybrids.
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