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I'm a huge fan of Will Christopher Baer and his Phineas Poe trilogy. If you ever get a chance, read them (The first one is Kiss Me, Judas. Second is Penny Dreadful. It ends with Hell's Half Acre). I would stake my life on any Ellis fan loving every deeply disturbing word written in those pages. It's about a dude waking up in the proverbial tub of ice and his quest to track the hooker who stole his kidney. It may stink a little of "been there, done that", but Baer has a voice unlike any I've heard and could make taking dump sound more beautiful than childbirth. He saved Noir Fiction for me.
I also love Aaron Cometbus and his Double Duce was (and is) a big influence on me. It sort of made me realise I was a bit different from all my friends as I lent it to a couple who all thought it was really depressing whereas I thought it was uplifting and joyful.That's pretty much my experience with JP Sartre's book Nausea. Everyone finds existentialism so depressing, as if they are bummed to find out that they have complete control over their lives.
Everyone seems to love this Cormac McCarthy guy. I read No Country after I saw the movie and was pretty blown away. It's hard for me to believe he's got 3 other books better than No Country for Old Men. (The Road, Blood Meridian, The Crossing)