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Warren's Pub Table: NO HERO #1: Pencilled Page Preview (HUGE IMAGES!)

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  1.  (3028.1)
    Here's a look at process for you -- Juan Jose Ryp's untouched pencils for NO HERO #1. First, a page from the early part of the book:



    And then a three-page sequence from the middle of the issue:





    •  
      CommentAuthorrickiep00h
    • CommentTimeJul 18th 2008
     (3028.2)
    DID THAT DUDE LAND SO HARD THE OTHER GUY EXPLODED?! HOLY SHIT!

    ...hurry up. Please.
  3.  (3028.3)
    I love that the first page is traditional panels, and then he tears it all up.
  4.  (3028.4)
    Fascinating to see how that's put together and how the perspective is constructed. thanks!
  5.  (3028.5)
    Gives me a good idea how he maps out for the inks on things like the dirty sidewalks, litter and the well-worn enviroment. It gives me no idea how in the Hell he knows that is how a human body buckles under stress. Geez, that's beautiful and scary at the same time...
  6.  (3028.6)
    Brilliant. Ryp can choreograph a fight scene as well as any artist I can think of. Well, it's more a slaughter than a fight, but still ....
  7.  (3028.7)
    Lovely, lovely violent panels Ryp did. Thanks for the preview.
  8.  (3028.8)
    Dayum!
    •  
      CommentAuthorStoto
    • CommentTimeJul 18th 2008
     (3028.9)
    Ryp is a fucking legend
    •  
      CommentAuthorJeff Owens
    • CommentTimeJul 18th 2008
     (3028.10)
    Umm...is that arcade game called Space Love? And what exactly is going on on the screen?
    • CommentAuthorpiablo
    • CommentTimeJul 18th 2008
     (3028.11)
    I am in awe of the originality. You simply do not see that type of original action anywhere in any medium. What a creative team and truly what i look forward too in comics - having exhausted (some) of your previous avatar work. I await this and more.

    THANK YOU.
  12.  (3028.12)
    Yes, this offers a wonderful perspective. But I think we'd all like to see the script as well. "...The ears will have been traveling downward at the same pace as his torso, roughly, so they should still be just below his face on either side, sort of incidental and..."

    Actually, writing that little joke just instilled within me a finer appreciation for the way Mr. Ryp conveys a sense of progression of impact along the line of motion, from the initial collision up top to the climax of stress a moment later down below, expanding his image beyond static boundaries, conveying the brutal flow of physics in full-blooded 3-D vision.

    I can never read Black Summer without thinking for a moment how much other writer's must envy you, Warren. For what he's able to do with words.
  13.  (3028.13)
    Love the motion in the images, the attention to detail, clarity, and the perspective.. but mostly?
    The motion. Fluid.
    Wonderful.
    •  
      CommentAuthorzoem
    • CommentTimeJul 18th 2008
     (3028.14)
    Wow. Just. This is so great. This kind of behind-the-scenes stuff gives me a huge appreciation for comics beyond my already voluminous love of them. I could stare at these all day.
    • CommentAuthorDouglas
    • CommentTimeJul 19th 2008
     (3028.15)
    fricking sweet
    ellis and RyP are an awesome pair
  16.  (3028.16)
    @ Brian Mowrey

    Thanks for that. Didn't notice the ears...
    • CommentAuthorTypo
    • CommentTimeJul 19th 2008
     (3028.17)
    Wow. I think I almost like this better than the inked finals.
    • CommentAuthoryo-yo
    • CommentTimeJul 21st 2008
     (3028.18)
    Beautiful. I love the panel layout on the last page. Just some really beautiful pages. Can't wait to see the whole issue.
    • CommentAuthorJuanjo RyP
    • CommentTimeJul 29th 2008 edited
     (3028.19)
    M
  20.  (3028.20)
    He's naked! Get 'im!

    Stunning work sir, I can see you developing on the Black Summer style, this stuff feels a little more dimensional.

    You're now added to my list of people who can have my babies.

    Edited for length, not content.

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