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			<title type="text">Whitechapel - Musical Futurism in Sci Fi</title>
			<updated>2013-05-22T22:15:57-07:00</updated>
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			<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=606#Comment_606" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=606#Comment_606</id>
		<published>2007-11-28T16:22:46-08:00</published>
		<updated>2007-11-29T16:23:39-08:00</updated>
		<author>
			<name>Debacle Sam</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=404</uri>
		</author>
		<summary type="text" xml:lang="en">
			Something that has been bugging me for a while.

*blanket statement alert!*

In a lot of cyberpunk, edgy contemporary fiction, or mundane sci fi musical progression is treated very differently ...
		</summary>
		<content type="html">
			<![CDATA[Something that has been bugging me for a while.<br /><br />*blanket statement alert!*<br /><br />In a lot of cyberpunk, edgy contemporary fiction, or mundane sci fi musical progression is treated very differently than social or technologic progression.<br /><br />What I saying is many times a writer will comment on the crazy music going on in some scene or and it will almost always come across as frustratingly mundane(industrial) or to easy(Korean Reggae!)<br /><br />If we are all really interested in people pushing the edge and what the kids in the basements are doing while nobody watches, why cant we apply that to music.<br /><br />I guess I have two points, one is I would like to know what people think about how music is treated in sci fi and if you are annoyed by the fact that sometimes writers who seem to be very cutting edge in so many ways seem to only draw on their college music experience?  Am I full of shit?  I really don’t know! I just want a discussion.  Also this has nothing specifically to do with Warren but Im sure his name will be brought up in the discussion either way.<br /><br />The second more clear cut point is what do yall think of the new sorta noise/folk/metal world that has been going on for the last 5 years or so?  I personally love all types of music from the biggest labels to the guy handing me noise tapes which is number 1 out of an edition of 12 at a show.  That being said I am frequently just totally blown away by the stuff being made outside of the clubs in my area, the stuff in the basements being done by people of all ages that really runs the gamut of experimental music .  I don’t really think much of it is totally new other than the age of the people doing it  and the demeanor, how it has very much been removed from the sterile academic air and thrust into the world of greasey dudes drinking pabst and rocking out.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=616#Comment_616" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=616#Comment_616</id>
		<published>2007-11-28T16:34:05-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>warrenellis</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=2</uri>
		</author>
		<summary type="text" xml:lang="en">
			As far as noise/folk goes, some people may remember that I went through a phase of fascination with the Finnish scene -- not the metal, but the weird tribal stuff like Kemialliset Ystavat, the bands ...
		</summary>
		<content type="html">
			<![CDATA[As far as noise/folk goes, some people may remember that I went through a phase of fascination with the Finnish scene -- not the metal, but the weird tribal stuff like Kemialliset Ystavat, the bands on Fonal...]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=624#Comment_624" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=624#Comment_624</id>
		<published>2007-11-28T16:51:01-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>Debacle Sam</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=404</uri>
		</author>
		<summary type="text" xml:lang="en">
			Yeah I finally realized after being so frusterated by the import cost on the Fonal stuff that EMUSIC has almost everything and dove right in, Kemialliset Ystavat's newest is fantastic!
		</summary>
		<content type="html">
			<![CDATA[Yeah I finally realized after being so frusterated by the import cost on the Fonal stuff that EMUSIC has almost everything and dove right in, Kemialliset Ystavat's newest is fantastic!]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=641#Comment_641" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=641#Comment_641</id>
		<published>2007-11-28T17:17:24-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>warrenellis</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=2</uri>
		</author>
		<summary type="text" xml:lang="en">
			I didn't know that Emusic had Fonal now.  Off to start up the Emusic remote, nice one...
		</summary>
		<content type="html">
			<![CDATA[I didn't know that Emusic had Fonal now.  Off to start up the Emusic remote, nice one...]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=654#Comment_654" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=654#Comment_654</id>
		<published>2007-11-28T17:47:07-08:00</published>
		<updated>2007-11-28T17:47:31-08:00</updated>
		<author>
			<name>IdanCohen</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=436</uri>
		</author>
		<summary type="text" xml:lang="en">
			Matisyahu - King Without A Crown
Funkenstein- War &amp; Pain
Minimal Compact - Next One Is Real

All of which, now that I think of it, are Israeli bands with songs in (mostly) english who I've ...
		</summary>
		<content type="html">
			<![CDATA[Matisyahu - King Without A Crown<br />Funkenstein- War & Pain<br />Minimal Compact - Next One Is Real<br /><br />All of which, now that I think of it, are Israeli bands with songs in (mostly) english who I've been wanting to pimp out to the internet for a while. Perfect timing, me.<br /><br />EDIT: Except Matisyahu, of course, that american fuck.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=661#Comment_661" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=661#Comment_661</id>
		<published>2007-11-28T17:59:34-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>J. Thaddeus</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=286</uri>
		</author>
		<summary type="text" xml:lang="en">
			I don't think that music and technology progress on the same level. Experimental music doesn't necessarily go along with experimental technology. Music is generally nostalgic while technology is ...
		</summary>
		<content type="html">
			<![CDATA[I don't think that music and technology progress on the same level. Experimental music doesn't necessarily go along with experimental technology. Music is generally nostalgic while technology is futuristic, so a sci fi story where they listen to something much older is completely doable.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=665#Comment_665" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=665#Comment_665</id>
		<published>2007-11-28T18:08:07-08:00</published>
		<updated>2007-11-28T18:09:01-08:00</updated>
		<author>
			<name>Mike Black</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=151</uri>
		</author>
		<summary type="text" xml:lang="en">
			-I went through a phase of fascination with the Finnish scene -- not the metal,

Frankly, other than Finntroll you're not missing much. (Finntroll being uniquely interesting in the world of black ...
		</summary>
		<content type="html">
			<![CDATA[<em >-I went through a phase of fascination with the Finnish scene -- not the metal,</em><br /><br />Frankly, other than Finntroll you're not missing much. (Finntroll being uniquely interesting in the world of black metal because all of their songs are polka written on a keyboard.) The real shit, Warren, is in Norway.<br /><br /><em >-so a sci fi story where they listen to something much older is completely doable.</em><br /><br />It still sounds lazy, though.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=670#Comment_670" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=670#Comment_670</id>
		<published>2007-11-28T18:12:53-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>tulpa</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=408</uri>
		</author>
		<summary type="text" xml:lang="en">
			I enjoy that noise democratized music even more than rock did. Now you don't even need to be talented, you just have to have an ear for good sounds. There used to be a video on youtube of these two ...
		</summary>
		<content type="html">
			<![CDATA[I enjoy that noise democratized music even more than rock did. Now you don't even need to be talented, you just have to have an ear for good sounds. There used to be a video on youtube of these two comedians who got invited over to the Boredoms studio. They started a noise rock band that minute, being given random instruments and being told to do whatever they want. Then Arto Lindsay showed up and showed them how to play guitar. It was classy.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=679#Comment_679" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=679#Comment_679</id>
		<published>2007-11-28T18:23:48-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>MJSM</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=433</uri>
		</author>
		<summary type="text" xml:lang="en">
			I keep waiting for, like, Cosmicore. Music stitched together from the sounds of the universe. We've got satellites pointing at all kinds of neat stuff out there. 

Is this already being done and ...
		</summary>
		<content type="html">
			<![CDATA[I keep waiting for, like, Cosmicore. Music stitched together from the sounds of the universe. We've got satellites pointing at all kinds of neat stuff out there. <br /><br />Is this already being done and I've missed it somehow? I remember a website where you could listen to the sounds of certain stars/nebulae/etc. Maybe it's evolved from there while I was looking elsewhere.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=681#Comment_681" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=681#Comment_681</id>
		<published>2007-11-28T18:33:00-08:00</published>
		<updated>2007-11-28T18:33:49-08:00</updated>
		<author>
			<name>Mike Black</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=151</uri>
		</author>
		<summary type="text" xml:lang="en">
			Sorry to clutter the thread, but....

-Is this already being done and I've missed it somehow?

Neurosis, Isis, and the new wave of doom metal seem to be attempting something like this in theory. ...
		</summary>
		<content type="html">
			<![CDATA[Sorry to clutter the thread, but....<br /><br /><em >-Is this already being done and I've missed it somehow?</em><br /><br />Neurosis, Isis, and the new wave of doom metal seem to be attempting something like this in theory. In other words, it's just atmospheric.<br /><br /><a href="http://www.youtube.com/watch?v=xEVyDjxsUrk" ></a>]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=693#Comment_693" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=693#Comment_693</id>
		<published>2007-11-28T18:52:25-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>warrenellis</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=2</uri>
		</author>
		<summary type="text" xml:lang="en">
			There's actually a black-metal karaoke bar in Helsinki.

I was once driven past the church that the Norwegian death metal guy burned down.
		</summary>
		<content type="html">
			<![CDATA[There's actually a black-metal karaoke bar in Helsinki.<br /><br />I was once driven past the church that the Norwegian death metal guy burned down.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=699#Comment_699" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=699#Comment_699</id>
		<published>2007-11-28T19:01:12-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>Sarpedon</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=113</uri>
		</author>
		<summary type="text" xml:lang="en">
			to add to Mike Black's suggestion of &quot;new wave doom metal&quot; as &quot;Cosmicore. Music stitched together from the sounds of the universe. &quot;

The music is from a soundtrack for a film ...
		</summary>
		<content type="html">
			<![CDATA[to add to Mike Black's suggestion of "new wave doom metal" as "Cosmicore. Music stitched together from the sounds of the universe. "<br /><a href="http://www.youtube.com/watch?v=lOgQyIMX_XU" ></a><br />The music is from a soundtrack for a film made from archival NASA footage in the 1980's with interviews from Apollo astronauts.  (the youtube video's not from the film.)<br />I'm not sure either the Neurosis or Brian Eno really fits what I imagine to be criteria for Cosmicore, in that neither is directly derived from extra-planetary data except by way of inspiration. <br /> <br />"Maybe it's evolved from there while I was looking elsewhere." hopefully, though the cynic in me says the 'sounds' probably lack something of the grandeur and emptiness of space, since it's just one kind of radiation or another and isn't strictly speaking 'sound', maybe?  I'd be interested to see how the data from say a radio telescope is made into something audible.  <br /><br />More generally, maybe musical futurism is hard because we're in a sort of splintered singularity where it isn't possible to predict with an reliability or intelligence what music will sound like because new genres and subgenres seem to crop up every 3 seconds in someone's basement, just as tulpa's anecdote on the instantaneous noise-rock band seems to suggest.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=706#Comment_706" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=706#Comment_706</id>
		<published>2007-11-28T19:08:37-08:00</published>
		<updated>2007-11-28T19:12:01-08:00</updated>
		<author>
			<name>MJSM</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=433</uri>
		</author>
		<summary type="text" xml:lang="en">
			I wish I could find that site, it was really neat. Both of those song/videos are very cool, but not exactly what I was thinking of. 

To toss in an edit here: Personally, I don't think you CAN ...
		</summary>
		<content type="html">
			<![CDATA[I wish I could find that site, it was really neat. Both of those song/videos are very cool, but not exactly what I was thinking of. <br /><br />To toss in an edit here: Personally, I don't think you CAN represent the full impact of the universe just in sound, but I don't think there's any reason not to use those noises, even if they are just radiation, in some genre of music.<br /><br />I think Sarpedon has articulated my thoughts on the original post here. There are so many new styles of music every day, genres constantly schisming into subgenres which schism even further. Add to that the fact that musical styles in the mainstream are pretty cyclical, with the same or heavily similar styles coming back again and again, and it's all but impossible to predict what we'll be listening to in, say, 3022. <br /><br />I'm being terribly optimistic here in assuming that there will be anyone around to listen to anything in 3022, of course. Let alone 2022.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=712#Comment_712" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=712#Comment_712</id>
		<published>2007-11-28T19:18:29-08:00</published>
		<updated>2007-11-28T19:18:49-08:00</updated>
		<author>
			<name>Ariana</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=1</uri>
		</author>
		<summary type="text" xml:lang="en">
			Awkward interface, but you can listen to many (space sound) recordings here.
		</summary>
		<content type="html">
			<![CDATA[Awkward interface, but you can listen to many (space sound) recordings <a href="http://www.spacesounds.com/" >here</a>.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=718#Comment_718" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=718#Comment_718</id>
		<published>2007-11-28T19:38:33-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>Mike Black</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=151</uri>
		</author>
		<summary type="text" xml:lang="en">
			There's actually a black-metal karaoke bar in Helsinki.

I was once driven past the church that the Norwegian death metal guy burned down.

It was a beautiful church. I think I badgered you about ...
		</summary>
		<content type="html">
			<![CDATA[<em >There's actually a black-metal karaoke bar in Helsinki.<br /><br />I was once driven past the church that the Norwegian death metal guy burned down.</em><br /><br />It was a beautiful church. I think I badgered you about your time in Bergen before. I was a bit of a Black Metal buff a few years ago.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=719#Comment_719" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=719#Comment_719</id>
		<published>2007-11-28T19:39:05-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>Sarpedon</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=113</uri>
		</author>
		<summary type="text" xml:lang="en">
			Yeah, I agree with you, MJSM, in your point about being unable to represent all of that in a piece of music and that using that data is certainly valid, I was just thinking about the ability of the ...
		</summary>
		<content type="html">
			<![CDATA[Yeah, I agree with you, MJSM, in your point about being unable to represent all of that in a piece of music and that using that data is certainly valid, I was just thinking about the ability of the sounds to stand for themselves as vaguely musical.  The example Ariana gave is said from their website to be "Ambient textures interwoven with actual spacesounds" <br /><br />so even in that recording there's an inevitable amount of human intervention to make it musical. The romantic in me wants the universe to sound immediately beautiful in the same way that Hubble images appear beautiful, I guess. <br /><br />(though again, are those all true color? etc. there's all the same questions raised about the process in crafting the images, I've seen some images that were shot with infrared sensors on some telescope aray or whatever, so i know those aren't strictly visible in the same way I can't hear the Hawking Radiation from a black hole. eventually I over think to the point that I should just shut up and enjoy it.)]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=725#Comment_725" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=725#Comment_725</id>
		<published>2007-11-28T19:46:19-08:00</published>
		<updated>2007-11-28T19:47:04-08:00</updated>
		<author>
			<name>Mike Black</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=151</uri>
		</author>
		<summary type="text" xml:lang="en">
			Well it depends on what you want. I doubt, other than what Ariana has linked, we're going to find a huge library of true space sounds. To me, Neurosis kinds of hints at it, but I think Isis is more ...
		</summary>
		<content type="html">
			<![CDATA[Well it depends on what you want. I doubt, other than what Ariana has linked, we're going to find a huge library of true space sounds. To me, Neurosis kinds of hints at it, but I think Isis is more on track. There is a general vibe that gives their music a sense of freshness, and a sense of the future. Especially if that's the next direction of metal (it's not getting any heavier than it is now.) <br /><br /><a href="http://www.youtube.com/watch?v=21BGHs0QJXg" ></a>]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=731#Comment_731" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=731#Comment_731</id>
		<published>2007-11-28T19:55:55-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>Ariana</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=1</uri>
		</author>
		<summary type="text" xml:lang="en">
			Just to kill the magic a little more, I should probably point out that there aren't really a whole lot of direct sound recordings from space.  Most sound files you'll find out there are processed out ...
		</summary>
		<content type="html">
			<![CDATA[Just to kill the magic a little more, I should probably point out that there aren't really a whole lot of direct sound recordings from space.  Most sound files you'll find out there are processed out of frequency data, often jacked up into the human hearing range.  Here's some sun data: <a href="http://bison.ph.bham.ac.uk/sounds/solarsounds.html" >http://bison.ph.bham.ac.uk/sounds/solarsounds.html</a><br /><br />Of course, some people might argue that if we have to alter it just to perceive it, it's actually a bit more otherworldly.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=733#Comment_733" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=733#Comment_733</id>
		<published>2007-11-28T20:02:24-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>Red Scharlach</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=212</uri>
		</author>
		<summary type="text" xml:lang="en">
			I'll make it short for the moment as I'm in a bit of a rush, but I'd just like to point out that the move from folk to noise and vice versa has been going for quite longer than the past five years. ...
		</summary>
		<content type="html">
			<![CDATA[I'll make it short for the moment as I'm in a bit of a rush, but I'd just like to point out that the move from folk to noise and vice versa has been going for quite longer than the past five years. Swans started off in the 80s as part of the No Wave movement, and before them, well, the likes of John Fahey and Scott Walker have moved on to noisier stuff. Einstürzende Neubauten started off noisy as Hell and weaved their experiments into something more melodic and subdued. Some credit can go to Blixa Bargeld's involvement with Nick Cave on that one, I feel, but his inspired lyricism always did feel like it would lead naturally into something more alienatingly harmonious.<br /><br />And there's already Lou Reed's <em >Metal Machine Music</em>, too, in some respect.<br /><br />For some reason, when I think future settings and cyberpunk variations, I like to imagine that pop has taken a turn to the likes of Björk meets Nine Inch Nails, and I don't know why that is. Speaking of the latter, what are your takes on Trent Reznor's involvement against the music industry as of late, and his encouragement to try out new forms of distribution, like with the freely available album he did with Saul Williams, one-upping Radiohead's pussy-footing, and the new remix site, where not only does he hand out remixes of his own for free, but actively encourages people to remix his works by providing multitracks? I find it all rather exciting, and I really do enjoy <em >Year Zero</em>.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=795#Comment_795" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=795#Comment_795</id>
		<published>2007-11-28T21:35:23-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>Jeff P.</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=24</uri>
		</author>
		<summary type="text" xml:lang="en">
			I agree that SF tends to be short-sighted when it comes to music. Novels have the obvious narrative wall to break through, but TV and movie SF are particularly unimaginative. The only exception I can ...
		</summary>
		<content type="html">
			<![CDATA[I agree that SF tends to be short-sighted when it comes to music. Novels have the obvious narrative wall to break through, but TV and movie SF are particularly unimaginative. The only exception I can think of now is the weird jazz-warchants from the first Lexx movie. <br />Given as there are now videogames that change with each play, we can hope to someday see digital music that differs with each play. And not ambient stuff but more structured material. The artist who manages this will probably not just create the music, but the mutable medium as well: Music released as applets that launch on your handheld. This will inevitably lead to bands releasing music as viruses.<br />There have been precursors: There was a King Crimson DVD several years back that had a feature where you could listen to Schizoid man, but mix and match drum tracks, rhythm sections, and guitar solos from several performances throughout the bands career. The DVD then synced the tempos up and played it. There was also an artist (the specifics escape me) who released a six album set on vinyl with the intention that all six albums be played on different turntables simultaneously.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=819#Comment_819" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=819#Comment_819</id>
		<published>2007-11-28T22:28:48-08:00</published>
		<updated>2007-11-28T22:31:19-08:00</updated>
		<author>
			<name>C.c.</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=463</uri>
		</author>
		<summary type="text" xml:lang="en">
			@MJSM, re: cosmic sounds. I've been experimenting with them in my new band (The Myoclonic Jerks). Nothing viable yet, but lots of potential. Then again, I think all kinds of found sounds are pretty ...
		</summary>
		<content type="html">
			<![CDATA[@MJSM, re: cosmic sounds. I've been experimenting with them in my new band (The Myoclonic Jerks). Nothing viable yet, but lots of potential. Then again, I think all kinds of found sounds are pretty neat.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=824#Comment_824" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=824#Comment_824</id>
		<published>2007-11-28T22:34:53-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>gwferguson</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=495</uri>
		</author>
		<summary type="text" xml:lang="en">
			&quot;I guess I have two points, one is I would like to know what people think about how music is treated in sci fi and if you are annoyed by the fact that sometimes writers who seem to be very ...
		</summary>
		<content type="html">
			<![CDATA[<i >"I guess I have two points, one is I would like to know what people think about how music is treated in sci fi and if you are annoyed by the fact that sometimes writers who seem to be very cutting edge in so many ways seem to only draw on their college music experience?"</i><br /><br />Interesting. I hadn't thought about that.<br /><br />One of my favorite science fiction/rock 'n' roll novels is <a href="http://www.amazon.com/Little-Heroes-Norman-Spinrad/dp/0553052071/ref=ed_oe_h" ><i >Little Heroes</i></a> (1987) by <a href="http://en.wikipedia.org/wiki/Norman_Spinrad" >Norman Spinrad</a> and though he was great with the dystopic corporate technology bit, the music descriptions smacked of cybersized 'Sixties pop.<br /><br />On the other hand, that may have been intentional.<br /><br />What other SF novels revolve around music?]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=837#Comment_837" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=837#Comment_837</id>
		<published>2007-11-28T23:38:18-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>Jeff P.</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=24</uri>
		</author>
		<summary type="text" xml:lang="en">
			The fantasy novel Glimpses by Lewis Shiner, but it too sticks with 60s.

The comic Savage Henry by Matt Howarth also comes to mind.

And I'm having horrible memories of the future disco music of ...
		</summary>
		<content type="html">
			<![CDATA[The fantasy novel Glimpses by Lewis Shiner, but it too sticks with 60s.<br /><br />The comic Savage Henry by Matt Howarth also comes to mind.<br /><br />And I'm having horrible memories of the future disco music of the Buck Rogers TV show...]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1064#Comment_1064" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1064#Comment_1064</id>
		<published>2007-11-29T11:53:07-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>JaredRules</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=374</uri>
		</author>
		<summary type="text" xml:lang="en">
			&quot;There was also an artist (the specifics escape me) who released a six album set on vinyl with the intention that all six albums be played on different turntables simultaneously.&quot;  

I ...
		</summary>
		<content type="html">
			<![CDATA["There was also an artist (the specifics escape me) who released a six album set on vinyl with the intention that all six albums be played on different turntables simultaneously."  <br /><br />I know that the Flaming Lips did something like that, but I think it was more like three seperate albums.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1125#Comment_1125" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1125#Comment_1125</id>
		<published>2007-11-29T13:00:05-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>pygmy</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=636</uri>
		</author>
		<summary type="text" xml:lang="en">
			What other SF novels revolve around music?

I don't know if it specifically qualifies as sci-fi, it was kinda more fantasy, but Mieville's &quot;King Rat&quot; was pretty much centered on jungle ...
		</summary>
		<content type="html">
			<![CDATA[<i >What other SF novels revolve around music?</i><br /><br />I don't know if it specifically qualifies as sci-fi, it was kinda more fantasy, but Mieville's "King Rat" was pretty much centered on jungle and techno music. <br /><br />I always found the musical references in Transmet amusing.<br /><br />But I always figured that in the future, pop music would get crappier and crappier, and strange music would get stranger. But I'm all for there being more choices. I can enjoy a wide range of things I like from the last 300 years or so.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1381#Comment_1381" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1381#Comment_1381</id>
		<published>2007-11-29T20:36:14-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>Debacle Sam</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=404</uri>
		</author>
		<summary type="text" xml:lang="en">
			J. Thaddeus “so a sci fi story where they listen to something much older is completely doable.”

I’m not saying at AAAAALLL that there isn’t reason to use older music or whatnot in sci fi, ...
		</summary>
		<content type="html">
			<![CDATA[<strong >J. Thaddeus</strong> “so a sci fi story where they listen to something much older is completely doable.”<br /><br />I’m not saying at AAAAALLL that there isn’t reason to use older music or whatnot in sci fi, I just feel that for a genre that is “trying to find the future” it does not seem to fully develop music as a futurist idea.  <br /><br />I’m not really asking writers to always invent new styles or genres but looking into how we may soon be buying, selling, performing, collaborating, and writing music in the future is very much within their purview and I would like to hear more of it.<br /><br />On that note I keep waiting for William Gibson to drop his noise-fuck novel because I hear many people tell me they have played the Cobalt in Vancouver with him in the room and most of these bands are pretty skull huffing.  <br /><br /><strong >Mike </strong>- “Frankly, other than Finntroll you're not missing much.” <br /><br />I know it’s not exactly Kvlt but I have been digging Circle quite a lot, Warren if you have time check it out, weirdo-drone-psych-(sometimes)metal from Finland.   <br /><br />Also your points about ShoeDoom like Isis, Neurosis, Pelican, Mike, made me think about my new recent purchase Nadja.   Have you heard em?  What is your take?<br /><br /><strong >Tulpa</strong> – You should totally post that!<br /><br /><strong >Red Sharlach</strong> – OH absolutely the history of noise/no wave/krautrock…etc totally fascinates me and I love digging through all of it.  What I was talking about was more the recent movents happening on a social level where four kids from the Midwest can blow up in Venice even though they only have hand made cd-rs.  Also it does seem like with that added internet layer it has become easier for people to try many types of music which has added a nice air of who gives a fuck to it all.  I mean no reason to be hardline attached to any one genre these days so more people are probably going to be checking out the weird shit.  Vice versa as well where the hardcore people are totally picking and choosing what parts of the pop matrix appeals to them and leaving the rest to rot. <br /><br /><strong >Jeff P.</strong> – “Given as there are now videogames that change with each play, we can hope to someday see digital music that differs with each play.”<br /><br />Isnt Eno doing a purely generative soundtrack to Spore, or am I making that up?<br /><br />“This will inevitably lead to bands releasing music as viruses”<br /><br />I love this sentence more than your examples but HELL YES!<br /><br /><strong >Pygmy</strong> – “I always figured that in the future, pop music would get crappier and crappier, and strange music would get stranger. But I'm all for there being more choices. I can enjoy a wide range of things I like from the last 300 years or so. “ <br /><br />I believe its more that the membrane between pop music and strange music would get thinner and thinner and honestly I think nobody would notice because it becomes the paradox that if weird music is pop doesn’t that mean it isn’t weird anymore?  I dunno?]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1390#Comment_1390" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1390#Comment_1390</id>
		<published>2007-11-29T21:13:16-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>tulpa</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=408</uri>
		</author>
		<summary type="text" xml:lang="en">
			While I can't find a copy of the video anymore, I do remember it was called something like &quot;The worst idea for a band, ever.&quot;

Also, Music as Viruses would be great. I would love a music ...
		</summary>
		<content type="html">
			<![CDATA[While I can't find a copy of the video anymore, I do remember it was called something like "The worst idea for a band, ever."<br /><br />Also, Music as Viruses would be great. I would love a music player that would have a completely new playlist every morning, because the viruses that day were different, or were modified by other viruses, or something.<br /><br />Last I heard, everything in Spore would be purely Generative, but it'll be that sort of ambient that's very easy to configure procedurally. It won't be anymore complicated than that.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1391#Comment_1391" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1391#Comment_1391</id>
		<published>2007-11-29T21:24:08-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>Debacle Sam</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=404</uri>
		</author>
		<summary type="text" xml:lang="en">
			i personally disagree that making ambient sound good is easy even when programming generative music, but i will say that making bad ambient is easy...but I wouldnt expect Eno to do much of anything ...
		</summary>
		<content type="html">
			<![CDATA[i personally disagree that making ambient sound good is easy even when programming generative music, but i will say that making bad ambient is easy...but I wouldnt expect Eno to do much of anything half assed.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1393#Comment_1393" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1393#Comment_1393</id>
		<published>2007-11-29T21:34:39-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>mrkvm</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=612</uri>
		</author>
		<summary type="text" xml:lang="en">
			Yes, music as viruses.  That's lovely.

I like the way Kage Baker handled future music and art movements in her Company novels.  It would just be subtle references to names of artists and genres ...
		</summary>
		<content type="html">
			<![CDATA[Yes, music as viruses.  That's lovely.<br /><br />I like the way Kage Baker handled future music and art movements in her Company novels.  It would just be subtle references to names of artists and genres without any explicit attempt to describe or define what they were.<br /><br />Shit, I have trouble describing music I like now, so there's no way I'd be able to write about imaginary future music.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1396#Comment_1396" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1396#Comment_1396</id>
		<published>2007-11-29T21:47:56-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>tulpa</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=408</uri>
		</author>
		<summary type="text" xml:lang="en">
			Nothing critical aimed at Ambient, Sam. I was mostly thinking more that the music will be in the same vein of generated soundscapes that have been done before, rather than an innovation, thus making ...
		</summary>
		<content type="html">
			<![CDATA[Nothing critical aimed at Ambient, Sam. I was mostly thinking more that the music will be in the same vein of generated soundscapes that have been done before, rather than an innovation, thus making it easy.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1432#Comment_1432" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1432#Comment_1432</id>
		<published>2007-11-29T23:42:32-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>Exploder</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=488</uri>
		</author>
		<summary type="text" xml:lang="en">
			It would just be subtle references to names of artists and genres without any explicit attempt to describe or define what they were.

In a story I did for Nature I used the genre's innate tech ...
		</summary>
		<content type="html">
			<![CDATA[<blockquote >It would just be subtle references to names of artists and genres without any explicit attempt to describe or define what they were.</blockquote><br /><br />In a story I did for Nature I used the genre's innate tech advances to talk about the music of the future.  Specifically, there's a band featured that uses subdermal magnets implanted in their fingertips to basically dig noises out of the pickups' magnetic fields of their guitars.  It seems to me that you'd have to talk about strange methods of playing current instruments or creating completely new instruments that can be played in order to create the idea that the music would be strange, rather than trying to describe the sounds themselves.  I think you can always talk about pop music, because pop is essentially immutable.  Varying from a formula too much and you'll end up outside the pop mainstream anyway.<br /><br />Also, I'm pretty sure the Flaming Lips did the six record simultaneous play.  Boris did a double LP gatefold that also is intended to be played together, though both records stand alone as complete objects.  And it's awesome.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1438#Comment_1438" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1438#Comment_1438</id>
		<published>2007-11-30T00:17:55-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>stevencudahy</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=158</uri>
		</author>
		<summary type="text" xml:lang="en">
			Seems to me that there's a couple of ways it could go. We've reached a stage where anyone who can afford a computer can record music, and the only real limitations (aside from the technical know-how) ...
		</summary>
		<content type="html">
			<![CDATA[Seems to me that there's a couple of ways it could go. We've reached a stage where anyone who can afford a computer can record music, and the only real limitations (aside from the technical know-how) are imagination and physical space, and the second only applies if you're trying to record acoustic instruments. But the main area we've not advanced hugely in is the physical interface between a person and the noises they make. More often than not we're looking at a traditional input method, something you hit or pluck or blow air into or bow or whatever. I would imagine the future will see more innovative input methods: a dance troupe where every move is mapped and transferred into audio, for example, would be fascinating. People have been experimenting with this kind of thing, although I'm struggling to think of examples off the top of my head, using MIDI triggers, light beams and pressure sensitive pads and drum pads and the like. But I'm thinking of something more to do with the total position of the body, the way a person moves, the speed they move at, the angle they hold a finger at and so on.<br /><br />As far as ambient background music goes, supposing we all end up implanted with systems to monitor our health in realtime, blood pressure, hormone levels, brain chemistry, whatever, and what if you then repurpose those parameters onto some kind of sound generator? What if you can tune into the music made by the person nearest you, or listen in on the noises made by a politician giving a speech, or what if you can take the outputs from everyone in a club and synthesise a music based on the way their bodies are reacting at any given moment? It would certainly up the stakes for podium dancers. What if your home created music based on your physical and emotional state, either to counter distress or to enhance a feeling you wanted to hold onto?<br /><br />The maths would be terrifying, as would the bandwidth and processing requirements. But we <em >are</em> talking about the future. Anyway, just some random thoughts.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1439#Comment_1439" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1439#Comment_1439</id>
		<published>2007-11-30T00:20:54-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>stevencudahy</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=158</uri>
		</author>
		<summary type="text" xml:lang="en">
			there's a band featured that uses subdermal magnets implanted in their fingertips to basically dig noises out of the pickups' magnetic fields of their guitars. It seems to me that you'd have to talk ...
		</summary>
		<content type="html">
			<![CDATA[<blockquote >there's a band featured that uses subdermal magnets implanted in their fingertips to basically dig noises out of the pickups' magnetic fields of their guitars. It seems to me that you'd have to talk about strange methods of playing current instruments or creating completely new instruments that can be played in order to create the idea that the music would be strange</blockquote><br /><br />What <strong >Exploder</strong> said. I went to make breakfast halfway through composing my post and ended up missing this gem.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1453#Comment_1453" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1453#Comment_1453</id>
		<published>2007-11-30T00:51:17-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>Exploder</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=488</uri>
		</author>
		<summary type="text" xml:lang="en">
			I can't remember the exact site name at the moment (it was a Boingboing post a month ago or so), but there's a website where you can use black and white and greytone images to create sound.  You ...
		</summary>
		<content type="html">
			<![CDATA[I can't remember the exact site name at the moment (it was a Boingboing post a month ago or so), but there's a website where you can use black and white and greytone images to create sound.  You started with a large black square and time and tone were laid out with high tones at the top and low tones at the bottom, left to right for about a half a second.  Inputting various different tones at different locations would develop a looping electronic noise.  Fun to play with for a little while, though not all that musical.  Still, it was an interesting way to come up with interesting sounds (though all 8bit).<br /><br />How about the future of the record?  Why even make studio recordings when you have access to immediate recording and distribution of a live show?  You could play a new set of improv noise every show and sell it as mp3s within fifteen minutes of finishing your set.  Even the construct of the band could become fluid, changing instruments and members constantly, a kind of amorphous sound-making juggernaut.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1496#Comment_1496" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1496#Comment_1496</id>
		<published>2007-11-30T05:37:08-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>warrenellis</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=2</uri>
		</author>
		<summary type="text" xml:lang="en">
			Sam: I know and like Circle's work, yeah.
		</summary>
		<content type="html">
			<![CDATA[Sam: I know and like Circle's work, yeah.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1505#Comment_1505" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1505#Comment_1505</id>
		<published>2007-11-30T06:58:25-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>branjo</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=646</uri>
		</author>
		<summary type="text" xml:lang="en">
			I don't have the text on hand to cite verbatim; however the liner notes of the Eno Box (Instrumental) explains something about him being in the hospital all doped up and listening to Opera(?) very ...
		</summary>
		<content type="html">
			<![CDATA[I don't have the text on hand to cite verbatim; however the liner notes of the Eno Box (Instrumental) explains something about him being in the hospital all doped up and listening to Opera(?) very quietly. He decided he wanted to make music that sounded exactly what he thought he was hearing.<br /><br />Did anyone follow through with the urge to rip out the mail-in form for L. Ron. Hubbard's "soundtracks" while younger? I couldn't bear the thought of tearing up a book (and I especially hated the impending spine crease), but was always intrigued by the idea of an authour composing a score to a book... (i actually couldn't wrap my head around how he knew how long it would take everyone to read a specific passage at a specific time - i thought the score must have been huge!)]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1507#Comment_1507" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1507#Comment_1507</id>
		<published>2007-11-30T07:16:43-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>TacoHugsPHD</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=515</uri>
		</author>
		<summary type="text" xml:lang="en">
			On the space sounds into music tip the circuit bent duo I play in has a song that at it's core is the NASA website Saturn radio sounds put into our Casio SK-1 sampler and spit back out all chopped up ...
		</summary>
		<content type="html">
			<![CDATA[On the space sounds into music tip the circuit bent duo I play in has a song that at it's core is the NASA website Saturn radio sounds put into our Casio SK-1 sampler and spit back out all chopped up and distorted like a deeper space transmission. When I got near my old college radio grounds I had to hop on a friends show and play some of that in hopes it bounces off of someone that makes something of it deep into the future. <br /><br />With the advent and ease of home recording personally I've noticed kind of a death of the style of mid/late 90s IDM (that saddens me) but in rebellion to this computer overload we're seeing some really awesome postpunk (to life the phrase from Warren) fuck with old sturdy technology and lets spit out something magical. The ironic part is that back when bending started Reed Ghazala was very big on circuit bending being a common denominator. That anyone could do it and make some interesting noises / music and we're seeing that now on these deceptively advanced music making programs with genius simple interfaces.<br /><br />Maybe I'm tainted by all the solder exposure from bending but currently I play in one group that is all constructively broken toys and early digital keyboards and my solo material largely revolves around the awesome sounds you get pushing audio through old reel 2 reels and a modified boom box. (If your interested I rewired the boom-box to run a line in stright into the tape head. Tape heads are designed to run on a very low signal level so when you blast it with a normal or loud signal you get a super overdriven distortion)<br /><br />A really cool circuit bending documentary video http://youtube.com/watch?v=w6Pbyg_kcEk<br /><br />A really cool circuit bending video of a cheep kids toy level casio http://youtube.com/watch?v=wlIUtS2da_g]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1532#Comment_1532" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=1532#Comment_1532</id>
		<published>2007-11-30T09:20:53-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>J. Thaddeus</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=286</uri>
		</author>
		<summary type="text" xml:lang="en">
			Can you imagine all the shitty music you'd have to wade through if it was all coming at you in viruses. It would be harder to find good stuff than it is now.
		</summary>
		<content type="html">
			<![CDATA[Can you imagine all the shitty music you'd have to wade through if it was all coming at you in viruses. It would be harder to find good stuff than it is now.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=7201#Comment_7201" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=7201#Comment_7201</id>
		<published>2007-12-11T20:32:24-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>eggzoomin</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=1442</uri>
		</author>
		<summary type="text" xml:lang="en">
			I think there is a problem with new music. In fact, let me rephrase - when I say new, I actually mean innovative - I don't mean regurgitating something in a setting you've not heard it in before, I ...
		</summary>
		<content type="html">
			<![CDATA[I think there is a problem with new music. In fact, let me rephrase - when I say new, I actually mean <em >innovative</em> - I don't mean regurgitating something in a setting you've not heard it in before, I don't mean something that has been released recently.<br /><br />The problem... perhaps I'd better start with an apology. I'm about to try and solidify some things that have drifted around me, brainbound, for quite a while. This may not make sense and it may be muso bollocks. I think there will also be reference to music theory. My grovelling done, here we go.<br /><br />Right. I would define music as deliberately arranged sound. "Deliberately" is a loose word - I don't care whether it's through-composed to the finest detail or generated by coding, abstract or concrete. Conventionally, we think of music in terms of melody, rhythm and harmony (yeah, I know, I know, but bear with me). <br /><br />The 12 chromatic tones that our conventional Western instruments produce are the result of a tone divison system devised by Christian composers to sound "nice." Every possible mathematical permutation of them has been mapped - Slonimsky saw to that neatly.  It's perfectly possible to rearrange this temperament - in simple terms, more than 12 notes per octave. Various non-Western musics have used microtonal systems for thousands of years. Unsurprisingly, it has also made its way into the West - John McLaughlin's work with Shakti and even the work of Steve Vai have both featured these ideas. Harmonically pleasant or dissonant, it's been explored. Found sounds, sampling... there are parallels everywhere, analogies to be drawn.<br /><br />Rhythmically, the boundaries have been pushed, from the aforementioned Shakti to Meshuggah's polyrhythmic grinding to Zappa's SynClavier compositions which play divisions that no human (to my knowledge) could ever hope to. Fast and slow, both have been taken to extremes.<br /><br />In a world that's seen Stockhausen, Pierre Henri, John Cage, Zappa, Coltrane and (ohfuckitjustputyourownnamesinhere) where can you actually go?<br /><br />Our brains are socialised with music as much as anything else. Minor/sadface, major/happyface. Let's not be confused by timbre here - I don't care whether you play C,E, B and D on a Les Paul through a Marshall, a synth or a set of tuned milk bottles, it's still a Cmaj9 chord.<br /><br />I know about the possibilities for control methods - I know that our current methods can be imperfect, so that technique influences composition sometimes and - even worse - sometimes things are conceived that cannot be played; Allan Holdsworth has complained of this on many occasions and his technique is as dazzling on his instrument as anyone that's ever played the damn thing. (Aside: yeah, I know these examples are a bit guitar-centric, but it's what I do; no surprise that it springs more readily to my mind than other things) However - if a control method is just that - a vehicle for expression, not expression itself - then it is the <em >content</em> that we should be concerned with. Would my words really be fundamentally any different if I wrote in French rather than English?<br /><br />On reviewing this, I'm concerned that it appears fussy and unclear, that it sounds like the whining of an "old world" musician confused and frustrated by the new world and that it involves too much jargon. I'm groping around concepts here. Help me out.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=7208#Comment_7208" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=7208#Comment_7208</id>
		<published>2007-12-11T21:10:41-08:00</published>
		<updated>2013-05-22T22:15:57-07:00</updated>
		<author>
			<name>Necros</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=1325</uri>
		</author>
		<summary type="text" xml:lang="en">
			If you want to read a science fiction novel that makes music a major focal point try reading 

Grey
by Jon Armstrong....it is published by Nightshade Books in San Francisco

It is a truly ...
		</summary>
		<content type="html">
			<![CDATA[If you want to read a science fiction novel that makes music a major focal point try reading <br /><br /><a href="http://www.myspace.com/jon_armstrong_author" >Grey</a><br />by Jon Armstrong....it is published by Nightshade Books in San Francisco<br /><br />It is a truly impressive first novel, and it really looks at music, culture and fashion in more depth than most science fiction.  It is satirical, but at the same time his ideas are truly fascinating and worth thinking about.<br /><br />Oh yeah, and if you don't want to buy it he has podcasts you can listen to chapter by chapter.]]>
		</content>
	</entry>
	<entry>
		<title>Musical Futurism in Sci Fi</title>
		<link rel="alternate" href="http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=7210#Comment_7210" type="application/xhtml+xml" hreflang="en"/>
		<id>http://freakangels.com/whitechapel/comments.php?DiscussionID=35&amp;Focus=7210#Comment_7210</id>
		<published>2007-12-11T21:15:08-08:00</published>
		<updated>2007-12-11T21:15:55-08:00</updated>
		<author>
			<name>Corey Waits</name>
			<uri>http://freakangels.com/whitechapel/account.php?u=453</uri>
		</author>
		<summary type="text" xml:lang="en">
			To go back to the first couple of paragraphs of the opening post: 

I've written a section in my still-being-written Cyberpunk novel (is it still Cyberpunk if it's 20 years too late?) where I try ...
		</summary>
		<content type="html">
			<![CDATA[To go back to the first couple of paragraphs of the opening post: <br /><br />I've written a section in my still-being-written Cyberpunk novel (is it still Cyberpunk if it's 20 years too late?) where I try and describe a truly 'new' sort of music that encompasses glitch, prog, jazz, metal, etc, because I agree; science fiction writers tend to be lazy when discussing music in their fictional realms.<br />Industrial hasn't been new since, what, the early 80s? The Reggae thing I liked in Neuromancer, but if other people are using it to I would have to assume it's an homage to Gibson, because otherwise it would seem lazy.<br /><br />Anyway, all I really did was describe the kind of music I want to hear, or what I think it would sound like if I smushed together a handful of my favourite artists in different genres. So even then it's not really 'futurist' because it's just a (hopefully) logical evolution of where music is at now, but hey, at least I'm trying to envision something a little bit original.<br /><br />Hope that made sense. I would post that section of my story to illustrate my point and because I quite like it, but you know, NO FICTION ;)]]>
		</content>
	</entry>
	
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