Finally got my page up on myspace. Hope you guys find something to like here. It's sort of lo-fi/psychedelic/electronic/horror film/retrofuturistic dub stuff. Rough mixes.
This is a little project I'm doing inbetween other things, mostly just for fun as it's quite different to my usual stuff, called With His Teeth. Don't know if anyone will like it, but what the hell?
hot on the heels of the new album i mentioned two comments ago I have another one out (they're just like buses), this one via Lithuanian cassette label AghartA.
It's a split release with Norwegian musician Andreas Brandal. I've not really heard Andreas' music yet but my track - The Prescient Machine - is a dark and swirly psychedelic drone piece.
For the last few years I've been working on various projects, mainly in the vein of minimalist/drone/noise/soundscapes. It's been described as rather unnatural sounding, which is cool as it's all done with synthesizers & computers, though my newer stuff is made with a lot of field recordings & weird samples I've collected over the last year or so.
You can hear it through my "Pervert-Magnet" page at myspace:
Just started a youtube channel and will be adding more Kemper Norton tracks here very soon. Halfway through a primitive video as well , which'll make a change from the picture stills here at the moment....
edit : God knows why it's linking in that peculiar way. Apologies.
He was a Big Breakfast and Brother producer and if you want, you can blame him for people like Kelly Brock, Russell Brand, Jade Goody and a few other people like that becoming famous. So he reckons it's his turn.
Anyway - one of the ideas is to follow the 'The Manual' plan, only updating it using recent tech and MP3 distribution etc and also to get a chapter in a book out of it.
So - if anyone here thinks they could do this, drop me a line on oddcases at g mail dot com.
EDIT TO SAY: London based would probably be best. Ta.
@Oddcult I have chosen to blame your colleague for everything fatuous that's come crawling out of the media for the last decade , so wouldn't be putting myself forward to help him fill a book chapter even if I was younger , more ambitious and lived in London.... I'm sure there's enough fame-hungry young credulous tykes out there. Don't quite understand though...is he doing it himself or finding someone to "manage " ?
A friend of a friend followed Bill Drummond's guide to getting a successful single and it worked so well that he managed to buy himself a lovely studio and lots of synths. The single was "Roobarb and Custard " , but I know it was worth it to him.