When you talk about about Modern rnb (1980-to Now) most people just blurt out Beyonce and a list of whatever RnB got into the top 40.
Which is a damn shame, it's a bit like when people talk about Hip Hop and all they ever talk about is gangsta rap which is a subgenre not the whole genre.
Anyway I wanted to expand those horizons, concentrating on modern RnB and leaving out the Motown stuff which has a huge fanbase and scholars.
Also for that "classic soul", not modern rnb,the blog -
does an excellent Job highlighting extremely rare gems and even digging up some of the musicians.
Now it's our turn to do a rundown of as many RnB subgenres as possible. And hopefully open a few eyes. Yes some of it may be light and even poppy. Lets go...
THIS SONG DOESN'T GET GOING TILL 1:18 BUT I love this song! Especially the bit when she shouts out the music capitals of the world- "Japan,Kingston (jamiaca), New York,hong kong, London" Yeah , forget paris and the rest! And all the jamaican flags everywhere!
How Japan fully embraced practically every Genre of Black Music without the anchor of a large internal black population is one of the great untold stories in Musical History. It seems that because they couldn't get it from an internal community they had to go out travelling the world and get it!
Japanese reggae fans in Jamaica-"Bad man forward!"
They didn't just listen to it.Lot's of countries get the odd mariah carey record.They went to the source. An example being just how brilliant Japans Breakdancers and dance crews are. They are not just copying from the TV. They learnt from the best.
There are stories of Japanese fans and TV crews just turning up in the heart of the Grimiest New York ghettoes where other New yorkers never go.They were there to learn from thew actual people who created the art, to record for TV this fantastic new thing that was blowing their minds.
So there's the odd feeling from Black people of self recognition when they see japanese people dancing because it is so pure.
Dancemasterz blog, the only blog i know of that highlights this has far more information.
Loads to choose from in French sung RnB with African influences . But as an example it must be LES NUBIENS . The female Cameroonian-French duo with a loyal American following
Les Nubiens - "Makeda"
The above video is in pre flood New Orleans. It's RnB, but unlike anything coming out of the states, with a french elegant polish ontop. Im suprised no one has sampled parts of this song.
That's hard huh? Probably the only Polynesian group you may have heard but never seen was THE JETS from the 1980s-
The Jets-"Crush on You"
Crush on you was a huge hit, and im suprised it hasn't been sampled to death.But most people never saw the video and thought they were african american or when saw the video thought they were asian or something.In fact they were mainly of Tongan and Fijian Descent with some German in there too.They were a a good 1980s rnb act, like the polynesian version of the jacksons.
Imagine you're a much older mature RnB lover ,maybe 35-40+ years old who doesn't want to give up clubbing. Who doesn't want to start collecting Jazz records!
But all the clubs are dirty, full of kids with hoodies, the musics too fast! With filthy lyrics!
More importantly you want to do partner dancing like they do in salsa. And you may want a bit of dinner, and people to dress smart! Where can you get that?-
Highlighted by Chicagos greastest RnB export R Kelly here-
R Kelly- "Step In The Name Of Love"
A highly localised scene. HUGE in Chicago but not much else with a following amongst older black ladies and gentlemen. But it seems alot of times they drag their kids along and a lot of younger kids are learning partner dancing again.it's spreading!
As seen in Chicago hip hop artist COMMON 's video. watch the kids dancing partner to partner (in a hip hop record!)
Common - "Reminding Me(of Sef)"
It's a SENTIMENTAL nostagic scene looking back to a "more civilised time". Guys wear suits and fedora hats like out of 1930s chicago. Like in this other R Kelly Video riffing off the stepping scene.
R Kelly-"Thank God it's Friday"
Or dress up similar to the pulp comic shadow. Clothes seem to be white or "happier colours". Nobody looks like they should be in the matrix.
It's not just older people dancing, its a fully evolved subgenre of RNB with Dance steps unique to this scene, especially with the partner dancing,and stepping music which is smooth, soulful, midtempo.
It should be noted...
Chicago (house, stepping, juke etc) is like the east coast version of the Bay Area on the west coast (hyphy, jerkin,based,E40) in that it brings up it's own scenes sometimes in complete defiance of the major trends in black music.
Detriot should get a mention too (for creating Techno! And Eminem!)
Jesse Johnson -"She I can't Resist" Soultrain line dancers!
SOUNDS LIKE PRINCE huh? NO it's Jesse johnson from Minneapolis and so is Prince. They sound alike because they came from the same scene. In fact Jesse was in princes band. Prince pioneered and took the minneapolis sound worldwide and added and grew from it.So did the best modern rnb production duo of our era Jimmy Jam and Terry Lewis who were in the band the Time with Johnson
Yes in the soultrain line, that's oscar actress Rosie Perez (at 0:56), she was a dancer and choregrapher before an actress. Jennifer lopez Mark 1
The Minneapolis sound is , Early 80s, before new jack swing, laying down important RnB production values we take for granted now.
I can't believe the above song hasn't been covered or sampled. N.E.R.D would spank this song as a modern cover. Good luck finding an original vinyl copy in mint condition, should be worth a fair bit now.
Who invented FREESTYLE it's contentious. What is Freestyle?
It's like RnB with loads of percussion, and a few hints of rock. If you lived through the early eighties to the mid eighties, you probably heard a freestyle record.
What's certain, is that it was taken with open arms into the latin american community in America, especially in New York where black and latinos mingle, marry and are related to each other.At one point it was latino americans' main non-spanish musical export
To this day alot of freestyle is still sung in English. New York still has a freestyle scene.
Good examples are 1980s Hispanic American group EXPOSE -
Check out the clatter and rattling of percussion in the background, it's sung like an RnB record, but with the energy of a mainstream 80s rock record.
LISA LISA and the CULT JAM from the 1980s are one of the biggest Freestyle artists to become huge. They leaned heavily more to RnB and later incorporated some early house.
Lisa Lisa and The Cult Jam ft Full Force - "I Wonder If I Take You Home"
Most early House music followers have heard this by Lisa Lisa(1985!)-
Lisa Lisa and The Cult Jam FT Full Force- "Can You Feel The Beat"
We cant Forget The other Huge group, who became a freestyle and RNB production powerhouse- FULL FORCE.
Even though they branched out into comedic acting(?!) like the House Party movie.They are still known for their production duties.
Basically Gospel music with all the major RNB influences, and lyrically almost never mentioning God !
But the music is so stirring you get exactly the same meaning anyway.Hint hint-wink wink! getting the message in there under the radar.
For a long time there was a BIG DIVIDE in black singers many of whom came from the church. Those who did gospel and those who did RnB.
Those who crossed this divide could never come back to "Gods music" after doing unseemly DIRTY RnB songs
This changed with a newer, younger generation entering gospel who were surrounded by Hip Hop and New jack swing RnB.
There are 2 big ground breaking groups when talking about this: THE SOUNDS OF BLACKNESS, and KIRK FRANLKIN with the Gospel collectives he's used over the years.
The Sounds Of Blackness
Based in Mineappolis, they sell out concerts worldwide to non gospel fans and without an album in sight. People talk in hushed tones about their "full strength" shows where they have most of the members, with 40+ people on stage. Their live vocal sonic power not really being able to be captured on record properly because dynamics have to be controlled.
Under the patronage and protection of The greatest Rnb production duo of all time, Jimmy Jam and Terry Lewis they created multiple platinum albums.
Even though most people outside minneapolis heard this ensemble in the 1980s, they had been going since 1961, and this nuturing paid off 20 years later with the album aptly titled "THE EVOLUTION OF GOSPEL" (tell that to the creationists-lol!)
The single that broke them into the mainstream was Optimistic , it starts easily enough and just builds and builds and builds with ultra postive Lyrics
Sounds of Blackness - "Optimistic"
Not one dud on the whole album thanks acclaimed producers Jam and Lewis.
KIRK FRANKLIN took that leaning into RnB and turned it up to 11 ! Bringing the sheer majestic vocal control of Gospel to RnB. Producing songs vocally that gave RnB singers goosebumps.
He was their age, Not some old geezer! His songs reeking of innocent first crushes. His famous song "CAN WE TALK" vocalizing the bravery needed to get the dutch courage to go and talk to a girl you like.
Tevin Campbell - "Can we talk"
Tevin Campbell - "always in my heart"
Tevin Campbell - "Shhhh"
Tevin was the protege of Prince and Quincy Jones, whose music ended up being in far more adult RnB lovers music collections than the young lovers it was intended for.
He also, after an infamous police operation, was forcefully outed as maybe the first Bisexual/ Gay male RnB superstar. He doesn't seem to have lost any fans. Which is good. It also colours a new meaning into every song he's sung -"shh" "can we talk" "if you ever wondered I love you..." LOL!
JASON WEAVER
More known as a sitcom actor. But in music he will always be remembered for this romantic song when barely out of diapers. Suggesting a maturity far beyond most kids.
Jason Weaver -"love ambition"
HI - FIVE
As YOUNG LOVE GROUPS go Hi-Five are a good example of the young love genre.Lead by the sugar sweet vocals of the now deceased Tony Thompson.
THE KISSING GAME being the summer soundtrack of FIRST LOVE for TWEENAGERS of the time-
Hi Five -"The kissing game"
Sing along now... "I was only 16....she was 25! Just can't handle it"
Hi Five -"Just can't handle it"
MINT CONDITION
The essential black Prom song,I can see them slow dancing now.
"you'rree breaking my heart....pretty brown eyes!"
Mint condition -"pretty brown eyes"
ANOTHER BAD CREATION
Even younger Love.. (these kids are like 8 years old!)
Far , far away from the nice melodies of all the above, something with GRIT and DIRT.
The marriage of RnB with the Hip Hop southern Sub genre called CRUNK.There's only one person when talking about this Genre.
The queen of Crunk n B is ...CIARA
Below a perfect Crunk N B tune. "OH...'ROUND HERE WE GRIND SLOWWW."
Ciara ft Ludacris-"oh"
CRUNK is the most MINAMALIST sub genre of Hip Hop. It has next to no samples, all HEAVY HEAVY sub bass, Cutting UNNATURAL Saw SYNTHS.
next to no instrumentation and more Chanting call and response rather than rapping. Dismissed by Hip Hop purists, as "dance club music" not hip hop. But it was huge in the Southern States of America.It got even bigger with RnB attached
The ultimate example of Crunk N B's MINAMILISM being the YING YANG TWINS-
Ying Yang Twins "Wait"
This started a trend with Southern Misissippi MC David banner bring out a track.