Did Bad Uncle Warren threaten/bribe/mind-control you into doing it? You can tell us, we'll understand.

You know what's weird and not quite related but somehow seems relevant? The first time that Zoetica, Nadya and I all ended up in the same place at the same time (in meatspace, that is) was with Molly Crabapple at her Dr. Sketchy's session at Comic Con, 2007. Pre-Coilhouse. Later that same night, Warren and I met up for a drink. I remember I told him that I'd hung out with all of them-- that it felt important, somehow. I'm sure his response was very wise and knowing, but I couldn't make it out because I was severely concussed from the beating I'd just received from his bodyguard after scaling the wall and breaking into his hotel room, and my ears were still ringing.

And why do you think this bygone creature needs a love letter?

Who is the crew's number one dream interview subject?

I'm an aspiring opinion columnist currently in both journalism school and a tailspin in terms of finding a way to get better (and get paid!). One may be related to another. Suggestions? I'm currently writing my ass off via blogs, but I'm wondering what you would look for in an opinion columnist.

Who is the crew's number one dream interview subject?

So when are we going to get the Coilhouse World Tour? By World I of course mean Seattle.

...Mikhail Bulgakov, and Robert Anton Wilson, to start.

my love letter is to the feeling of the era before the fusion. The sense of mystery and discovery. And camaraderie, the one ingredient pop culture has not been able to reproduce.

How do you go about publishing the magazine?

Okay, bear with me, here. I thought of another unifying visual design element that could be incredible to play with, given the content and theme of this issue.

This issue of Coilhouse is haunted. (Or maybe it's enchanted. Or maybe it's possessed.) Maybe we turn it into a grimoire.

Look at all of the connections. ...it's taken on a life of its own at this point. It's all a bit magick-with-a-k, isn't it? I'm being playful and tongue-in-cheek here, but I'm half-serious, too. This issue is full of ghosts, spirits, references to gods and cults, and recipes for tulpas.

Lets play with that in the design. Lets reference it visually, symbolically, semiotically. If we're subtle enough about it, most people won't even consciously notice the visual symbols, or only vaguely wonder what they are... but people out there who are into chaos magic, occult symbolism and the like... they're going to be SO delighted.

Also, we could have elements of some articles "haunting" other pieces! Do you see what I'm saying? Apophenia is a beautiful thing: we can intertwine all of these piece not only visually, but by making unexpected elements "visit" one another. See where I'm going with this?

By now, you all either think I'm crazy, or there are tiny hairs standing up on the backs of your arms. Let me know what you think...

...An old coilhouse blog post long, long ago about The Billy Nayer Show and The American Astronaut is what got me on the coilhouse bandwagon to begin with, and to see that all come full circle would be amazing. Maybe something snappy about Forbidden Zone and The Residents would be neat, too.

Are there any blackballed public figures written on a white board in Coilhouse HQ with a big circle/slash around them?

Frankly, what I like about the magazine and the blog is that it always digs up people and things I was almost completely unaware of before and shines a light on them... Keep digging deep and surprising me. You've been doing pretty well at it so far.

Frankly, what I like about the magazine and the blog is that it always digs up people and things I was almost completely unaware of before and shines a light on them... Keep digging deep and surprising me. You've been doing pretty well at it so far.

Thank you. Statements like this make us feel like it's all worth it

Is there any particular sub culture circling the periphery that you folks really would like to take a look at and just haven't had the chance? (He asks, thumbing through TRVE NORWEGIAN BLACK METAL, by Peter Beste.)

The Issue 04 Jodorowsky and Morrison interviews were fantastic and, frankly, a little surprising.

I can't speak for the other writers, but in my case it was several months of service as a cabana boy for Mer. White shirt, tight shorts, cold fruity drinks on demand, afternoon massages, and so on. I hope this clears up any confusion about the process of being accepted as a writer for Coilhouse.

@zoetica --- Love the illustrations. This may sound odd, but I would love to see you illustrate a children's book, I think it would be just the thing to ignite the imagination of future generations. Mine was jump-started by Maurice Sendak mostly, among others.

So you just keep going with what you love. Just because you didn't "make it" by a certain age, it doesn't matter.

I can't seem to find any subscription information. Am I missing it? Do you not offer subscriptions? If not, are there plans to? I would strongly consider getting one for myself, as I'm sure would many others.

How does one maintain a dedication to the weird and alt while 'growing up'/becoming an adult with a job and responsibilities? How do you stay inspired and curious?

I'm really hoping Nadya's open to talking about this. She's the true, undeterred, breadwinning powerhouse of our group-- she works an intensive corporate 9-5 job, and still has time to come home and write passionate love letters.

Harry Partch

How does one maintain a dedication to the weird and alt while 'growing up'/becoming an adult with a job and responsibilities? How do you stay inspired and curious?

@Nadya-- Reading the list of your influences explains a lot and gives you tons of credibility in my opinion, and tells me that you are coming purely from a place of passion for the art form with your publishing intentions. Girl's Guide, Mondo, Ben Is Dead, all great vehicles for getting into the print underground. I've been a zine hound forever myself, being mainly obsessed with Cometbus these days, especially his forays into novelization.

(For all our jokes about catacombs and chain leashes) Ross is a free agent.

Does the mag pay for itself usually or is it more of an out-of-pocket labor of love, done for the sheer enjoyment of the creators? I'm hoping it's the former as I'm sure you do, but I know from experience (been in the same diy punk band for 15+years) that most people who are doing things that they love are not becoming millionaires off of doing so.

I think it's just a matter of time - we're so busy hustling on the new stuff, it's hard to get back to the old stuff. Also, it's a question of format. Would we make the format similar to something like ISSUU? How do guys you feel about the page-flippy thing (personally, I always thought it was a wee bit gimmicky, but looking at their site more, I actually find the magazines quite readable). The thing is, some articles look great on the page, but not so great on the screen.

A common theme that comes up around here is what Warren listens to while writing. Is there anything in particular that you, collectively or individually, often have playing while you create?

What do you think are the three most important qualities in a person?

I think it's also a little awe inspiring that you all managed to maintain this sleek sort of composure and professionalism whilst interviewing someone that you've waxed lyrical about at one point or another.

It's not often you get a look at how the sausage is made, a peek behind the curtain(sausage curtain?) at things and end up loving them all the more for it.

How do you end up finding people you resonate with?

can i ask the un-kosher question? can you guys put a dollar figure on the cost of the first issue? how much money was made or estimated-to-be-made on pre-sales/orders? how much money did the three of you actually risk on the venture originally?

Nadya, you should talk for a minute about your design concept for the website if you get a chance

Hey, Nadya, you should talk for a minute about your design concept for the website if you get a chance. It's really interesting!

So grateful that I met you guys.

So. Fucking. Grateful. To be here.