I apologize in advance if these have been addressed elsewhere: Many of your protagonists, when we meet them for the first time, are at rock bottom. Often they are in the process of painfully extracting themselves from their unkempt beds/rooms/houses/cells; surly, irritable and hung-over. Why do you keep revisiting this theme?
A few years ago the endemically corrupt Asif Zardari ascended to the presidency of my country, riding on the sympathy generated by Benazir Bhutto's assassination. At the time, my friends and I noticed the eerie similarities to Vita Savern's assassination and its consequences for The Smiler. What has it been like to see the world begin to reflect your work (transmet in particular: Bi-cranial cats, ASSANGE/Wikileaks etc)? Does it sometimes make you want to write more positive stories?
Also, How did it feel when you first heard that Moebius(!!) would be doing covers for Transmet?
I know you've dabbled in many genres; Superheroes, zombies, Prehistory. Have you ever delved into far-future fantasy, though? Like Dune, Metabarons etc. On a related note, What is your take on Jodorowsky?
And finally, I'll regret it if I don't ask you this:
Do you have a rejected script lying around somewhere that you could throw my way? Just some 4-10 page thing that you have no use for, which I could take a stab at drawing?
Many of your protagonists, when we meet them for the first time, are at rock bottom. Often they are in the process of painfully extracting themselves from their unkempt beds/rooms/houses/cells; surly, irritable and hung-over. Why do you keep revisiting this theme?
It's classical storytelling. It's the modern equivalent of "fuck me, he was so poor his mother had to squat him out IN A BARN and put him IN A CATTLEFEED TROUGH."
Also, How did it feel when you first heard that Moebius(!!) would be doing covers for Transmet?
Was the personality of Lazarus Churchyard inspired by anyone in your life?
20-odd years down the line... I can't think of anyone in specific. I knew a lot of suicide jockeys back then, but I don't think I based him on anyone in particular.
When you're writing a character, how clearly defined is your idea of their function within a story? Do you often find characters you write start behaving differently to how you originally intended, changing the story as a result?
You get an inspiration for a storyline-how do you decide what genre and how do you keep all ideas organized (literally-notebooks, manilla files, e-files, paper napkins, software, in old Killian's bottles?)
This one niggles my curiosity on a personal level; at the risk of sounding a bit stalky, where did you get the idea to name a character 'KK'? I'm thinking it may have been the Royal Festival Hall.