been lazy and only scanned 1 of my drawings over the past few days because I'm getting down to crunch time on the weekend exhibition and don't have the spare time or energy. Here's my contribution ( I post the rest of the stuff next week)
the hero has been sitting shizuka under a tree with mother nature only to realize it's about time he returned to the big city...
My god, what is it with you people. WHY ARE YOU ALL SO AWESOME!!! WHYY???
(sorry I don't have the time to comment on all the pieces separately...)
Here's one more b/w piece (don't think I posted it in the last thread)
Basically another practice drawing for the new project... Aaand I'm seeing this one as a kind of a benchmark. Every page will have to be at least this good or better. Hopefully better!
Also, conclusion of The Consequences of Sowing Fire
Also, I have a couple of IMPORTANT QUESTIONS TO PEOPLE USING MANGA STUDIO! so if anyone could answer me I'd be very grateful...
This is technically what I want to do: pencil the characters/backgrounds on paper, scan and "threshold" it so it's stark b/w, do some cleanup (stray lines, leftover pixels from badly erased lines, gaps etc), then add panel borders, lettering and (if applicable) speedlines/focus lines etc... also, some kind of either flat greys (one or two shades) or more texturey toned bits.
Since the thing will be later printed through a POD service (and also displayed as a webcomic), I'd like to avoid "hard" tones (moire patterns and such). Art would be printed at 300dpi but drawn at a higher res to get smoother lines after resizing (they'll retain some pencil roughness but won't have jagged square pixels poking through).
So the questions are: Is all of the above possible? Are there any good tools for that? Will any of the parts become problematic? I'm mostly concerned about the greys rather than tones issue (last thing I want is to make a 200 page book only to find out I have to re-tone every page cause it prints like crap, heh).
Edit: I don't have the program yet but a friend is feeling generous... so I want to make sure Manga Studio will do what I need it to do before I throw the financial burden on his back.
@photomagex from last page When you select the magic wand tool, it's options appear in the toolbar. please check the box next to 'contigious'
also, some advise, freely given: scan in your linework, clean it up, then convert it into a multiply layer. (when a layer's mode is on multiply, the whiter a pixel is, the more transparent it will be, so this is ideal for lines etc). after this, make a layer underneath, call it flats. here you will have base colours only. in your linework layer, select an area (e.g. mickey mouse's button), and then expand the selection a pixel or two by going into select>modify>expand. this is to compensate for the unwanted white edges you sometimes get in this process, and for the linework over your colours. once you have this selection, go to the flats layer underneath and fill it in. repeat for all of mickey.
@aurora borealis Your comic really benifits from a vertical scroll-down readthrough.
RE: your questions, are you offering bnw printed or colour printed? use the threshold thing only if you're scanning in at 600dpi or higher. i;ve only a cursory acquaintanceship with manga studio but what you seek seems doable.
@harris-ejaz: Am I offering what? Umm, the book I'll be working on will be b/w (Ka-blam requires files in greyscale for that) ...unless you mean the color comic I posted above, that of course is printed in color.
I'm scanning either 300 or 600dpi. But then again the artwork is about a third larger than the final print size so I'm assuming that helps a little?
oh god NeilFord captain lobsterclaw is so stupetardedly wonderfully WRONG
Ssssooo the past couple of months I've been working on this comic. It's about the Simulation Hypothesis.
More at my website, I've got thirteen pages up so far and page fourteen in progress in Illustrator. I'm doing this by the seat of my pants and it's really a blast.