Beat poetry is some of the only poetry I can still read. Everything else seems so forced, like the authors chose from a list of poetry-words to make it sound extra poemy.
As far as tips for writing in the same vein, I think listening is the biggest thing. Even at its most disjointed, Beat verse was really focused on rhythm. Listen to Ginsberg and Kerouac read, there's some great recordings of them. Corso, too, with his weird voice. Listen to a lot of Bird, Dizzy, and Monk, whose bop jazz work informed a lot of the rhythm of the original Beat poetry. Of course, I'm not suggesting that you write within the Jazz context necessarily, that would just make your work sound like theirs. But it's helpful to see the way they translated their total environment into their work. To really get at what their point was, I think you'd have to write with your own context in mind, to get into your own rhythms.
well, here's the vastly underappreciated kenneth patchen, whose best work is not on youtube.
as far as tips go, i've been a poim monkey for awhile and been to my fair share of the open mics and what have you. i have to say that as much as i like some of the original beat stuff i get pretty tired of hearing people cop that style for their own work. seems all one hears is the beat style, the hip hop style, or the slam style all of which get old pretty quick as far as i'm concerned and tend to detract from actual poetry which is about giving voice to the breath of life that moves through you, for lack of a better way of putting it. if you're serious about poetry i'd recommend cultivating that capacity rather than doing beat poetry, but hell, whatever floats your boat.
If you were looking to write in the Beat style, it might be helpful to look at some of the people that may be considered as proto or kinda pre-Beat. People like Kenneth Rexroth, Galway Kinnel, WS Merwin, Denise Levertov. All post WWII poets writing what's loosely defined as open form.
There are two really great collections - Naked Poetry: Recent American Poetry in Open Forms (1969) and New Naked Poetry (1976). Ginsberg is in there, too. So are a lot of others writing in that era.
Very good pointers here and damn, actually Storm was the thing that got the very old idea of trying something like this running again for me. Brilliant stuff.
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